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The main social antagonism involved at this level of analysis, then, is the conflicting interests of music producers and consumers within the present neoliberal order. The former characterize the latter as engaging in outright property theft, while the latter draw on a long tradition of music sharing and claim that the inflated music industry is now rightfully reeling after failing to provide good products and squashing competition by monopolistic and underhanded means. In the place of the music industry as it is currently constituted, many consumers believe in the possibility that independent record labels will continue to gain prominence in the short term and celebrate the existence of an independent online culture that extends beyond small record labels into online political collectives and informational sites, Weblogs, and news media (such as indymedia.org). Much of this online culture maintains a distinctly anarchist sensibility. But Internet utopians should be wary of the sustainable independence of new media under capitalism forms of originally independent media like cable television were understood and used in a similar way to the present Internet and ultimately found themselves under the ownership of large media conglomerates [ 159 ].